More New Professional Features
Inserting an image in an InDesign
1.0/1.5
document wasn’t always very easy due to resizing process. Adobe InDesign
2.0
now comes with dynamic graphics preview: when you insert an image into a
document and adjust what’s visible in a graphics frame, a live ghosted
preview of the entire picture appears so you can see exactly what you’re
doing.
A new
overprint preview option lets you preview on-screen the overprint, blending,
and transparency settings that you’ve manually applied to objects as well as
the effects of aliasing inks.
Working
with long documents wasn’t very easy with the first InDesign versions.
InDesign
2.0
now provides comprehensive support for long documents: related documents can
be grouped in a book file to number pages sequentially, synchronize styles
and swatches, and generate tables of contents, indexes and hyperlinks. When
you create a book file, InDesign opens a new ‘Book’ palette: all the
documents you have grouped are listed in this palette. A single document can
also be associated to more than one book file. From the book palette you can
see which documents have been opened, modified, are in use or missing. The
book palette is a great enhancement for working with a team of authors and
designers. The palette lets you drag the documents to the position of your
choice: when doing so the document order is automatically updated as well as
the pagination (if automatic pagination is on). The documents that
constitute your book can be preflighted, packaged, printed or exported to
Adobe PDF.
Adobe InDesign 2.0 Book
Palette
When
working with long documents like books or magazines, InDesign
2.0
can generate one or more table of contents for any document or book file.
Thus the table of contents can list all the chapters of your book, while
another will list all the illustrations and a third will list the graphs
that appear. Creating a table of contents is extremely simple: you just have
to apply a paragraph styles to the text that should appears in the table of
contents. Normally each TOC entry is formatted with the styles used in your
document. But you can map those styles to TOC styles that specify different
fonts, first line indents, tab leaders, and more…
Another
new feature aimed to professional printer is the indexing controls. InDesign
2.0
helps you create keyword or comprehensive indexes using the Index palette.
An InDesign index entry is comprised or the topic, which is the subject of
the entry and the reference which the page number.
Adobe InDesign 2.0 Indexing
Controls (click to enlarge)
The
hyphenation module has been enhanced to offer a new hyphenation penalty
slider that enables you to interactively make tradeoffs between spacing and
hyphenation and preview the results on screen.
InDesign
2.0
can build XML based structure into documents so you can deploy content to
multiple channels (print, Web, handheld devices, etc.) without struggling to
adapt your contents to a format to another. Using XML will tag content of
your document so its components can be identified and reused by another
software program.
Printing
As
beautiful as your artwork can be, it is nothing if you’re having trouble
with the printing process. Which is, and my experience is speaking,
extremely frequent. One of the priorities of Adobe’s development team was to
refine the printing process so users can experience a peaceful printing. The
result is the fact InDesign
2.0
includes expanded support for printer drivers thus the software can fit into
more print workflows. Indeed InDesign
2.0
no longer requires AdobePS printer driver. In case you use InDesign
2.0
to create PostScript files (known as prepress files) you can now save the
file directly from the print dialog box. Being driver independent, you can
specify if this file should be device independent. Using this setting will
exclude driver and device information from your PostScript files to produce
the most flexible PostScript file.
The
printing interface has been totally revamped to be more intuitive: the
interface provides clearer feedback about what print settings are enabled
and how they interact between each other. You can now specify all print
settings throughout the printing dialog box like page sizes, custom page
sizes, font downloading, PostScript level and image data format. The print
dialog box now provides an effective visual feedback through a thumbnail
preview to make sure your output will correspond to what you desire. That
way you can check out the margins, the paper size in relation to the
printable area and the way how the page relates to the media size, etc.
Finally InDesign
2.0
reports all your print settings in a summary panel in the print dialog box.
That way you can review your print setting on-screen or save them to a
separate text file. InDesign
2.0
introduces the print style concept. Once you have defined print settings you
can save the set of settings as a printer style. Those fast and useful
styles let you reuse easily the same printing options and multiple times.
Adobe InDesign 2.0 Printing
Dialog Box (click to enlarge)
That’s
not all. InDesign
2.0
lets you flatten transparent objects for output so you can achieve a high
quality output. Using this transparency support lets you apply drop shadows
to text, ghost back images, create unique special effects with blending
modes and more. In addition, Illustrator and Photoshop assets can be
incorporated preserving the integrity of the transparency. You can even
proof overprint settings on desktop printers using the Simulate Overprint
option. With InDesign
2.0
you get a much more complete control over color output thanks to the new
options in the output panel of the print dialog box. It’s now possible to
print files in Composite Grayscale to non-color or color printers or in
Composite RGB to inkjet printers, film recorders and other RGB devices. The
new ink manager lets professionals control the number of separations without
altering the file. So print professionals can map or alias one spot color to
another without touching the Swatches palette.
Performance
When you compare InDesign
2.0
to previous version it’s very clear the software is much faster especially
when you work with images. Adobe claims they have changed the text
composition and database engines, improved the way images and other page
items are cached and optimized the text and graphics import filters for
PhotoShop, EPS, TIFF, JPEG, RTF and Microsoft Word files. This work has
proven its efficiency since InDesign
2.0
is substantially and significantly faster than InDesign
1.0/1.5
when performing the most current operations (like opening, saving, closing,
importing images, etc.).
However
one major drawback of InDesign
2.0
is the fact the software isn’t able to export a composition as an InDesign
1.0/1.5
file. This is a true problem because if you’re going to hand off your
artwork to a professional printer chances are high that he doesn’t have
InDesign
2.0
while he might have InDesign
1.0/1.5.
In that case you have to start the painful process of exporting your
composition to an EPS or Illustrator file. If InDesign
2.0
can open files created with InDesign
1.0/1.5
the reverse isn’t true, unfortunately.
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